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Our research projects
Disasters at sea and maritime culture of remembrance in the 20th and 21st centuries
01.01.2022 - 01.01.2025
Waste in motion
Maritime Digital Twins. Regimes of Infrastructure Control and New Modes of Digital…
In 1875 the German Maritime Observatory (die Deutsche Seewarte) was founded in Hamburg as a…
During the Cold War, submarines emerged as a key technology that enabled people to explore…
Care – Work – Technique. Poetologies of Seafaring in the 19th Century
Cruising across Centuries: Social Inequality and Employment at Sea
North German Lloyd Colonial History Research Project
The joint project "Digital Materialities: Virtual and Analogue Forms of Exhibiting Museum…
The research project aims to trace the path of Jewish emigrants' personal belongings from the…
Relocation goods confiscated in Bremen ports
The economic development of Scottish islands in the early modern era is the subject of a new…
The project examines the influence of various interests and considerations on the financing and…
The salvage of the wreck from the port area in Bremen Rablinghausen was the beginning of a…
At around 1900, military and civilian shipping were closely entwined. As objects of maritime…
In the context of the project, the relationship between production technology and work…
Sea charts were - and still are today - the basis of navigation on the seas. The BMBF supports…
Where are the wrecks and ammunition in the North Sea? What dangers do they pose to people and…
Since 1976, the single-cylinder four-stroke engine has been part of the collection of the…
Global shipping has an impact on biodiversity. "Shipping and Biodiversity in the Age of…
"New approaches for utilisation and knowledge communication for research museums (NAVI) –…
Maritime art in the German Maritime Museum has been the focus of historical research by…
We carry out systematic checks of our collection regarding the provenance (origin) of the…
Iceland, the Shetlands and the Faroe Islands are the focus of research into the Hanseatic…
The credibility of exhibited objects is a quality criterion for museums. But when is an object…